Dunlop SW95 Slash Signature Cry Baby Wah Pedal

The Dunlop Slash Wah distortion and wah pedal combines two hot guitar effects into one rugged pedal, tuned to Slash's exact specifications. You get the classic Cry Baby wah sound and a custom high-gain distortion circuit for incredible lead tones. Best of all, the Slash Wah's distortion and wah modes can be used together for maximum Slash-style tones, or engage the separately for even more tonal variety. If you want lead tones that dominate, check out the Dunlop Slash Wah distortion/wah pedal!

Dunlop Cry Baby 95Q Wah Pedal

Check this one out! The Dunlop Cry Baby Q Wah Wah is the legendary Cry Baby with two of the most-requested upgrades. This one's got the famous "Q" control, which lets you vary the intensity of the wah effect by adjusting the bandpass shape. Plus, the Cry Baby Q Wah also sports a volume boost, for up to 15dB of added gain to your output signal. There's no doubt about it, the Cry Baby Q is a flexible tonal giant that combines classic tone with features modern guitarists demand. Step onto a legend — stomp on the Dunlop Cry Baby Q!

Legendary Wah Tone - With The Most-requested Hot Rods!

MXR M234 Analog Chorus Pedal

There's just something magical about real analog chorus. That's exactly what makes MXR's M-234 Analog Chorus pedal the perfect addition to your guitar rig. Tweak the M-234 Analog Chorus's rate, level, and depth controls to go from subtle shimmer to dizzying swirl and everywhere in-between. The M-234 Analog Chorus also includes high- and low-frequency cut knobs, so you can dial your tones in just so (these controls are also very handy for matching your effected tone with your un-effected sound). Like all of MXR's pedals, the M-234 Analog Chorus comes housed in a tough, lightweight, and compact aluminum chassis.

MXR EVH Phase 90 Eddie Van Halen Phase Pedal

The MXR Eddie Van Halen Phase 90 pays its tribute to the legendary guitarist who first rocked our ears on his debut album in 1978! Now, more than 25 years later, the guitar work on that album still inspires and amazes young guitarists everywhere - and a huge part of that signature tone is due to Eddie's MXR Phase 90. Giving you the same trance-inducing warbles and sonic swirls that made the Phase 90 the famous pedal it is today, Eddie collaborated with Dunlop to update this Phase 90, delivering even more tonal possibilities that Eddie himself is proud of. A new Script switch lets you toggle between a vintage "Script Logo" phase tone, and more in-your-face "Block Logo" phaser. With a new blue LED light and wearing the signature red, white, and black stripes from Eddie's legendary Frankenstein guitar, this MXR EVH Phase 90 is ready rock!

The Classic Phase 90 with a Touch of Van Halen!

Boss DD-8 Digital Delay Pedal

Ever since they released the DM-1 Delay Machine in 1978, the BOSS name has been synonymous with great-sounding delay pedals. The BOSS DD-8 Digital Delay is their most powerful one yet. This compact delay stompbox boasts up to 10 seconds of delay, along with 11 versatile delay modes that range from crystal-clear repeats to glitchy and modulated echoes. The BOSS DD-8 is ideal for practice, soundchecks, and on-the-fly backing tracks, courtesy of its 40-second looper. And synchronizing your repeats to a song is a breeze, thanks to tap tempo. You also get a carryover switch, which enables delay trails to continue after the effect is bypassed. The BOSS DD-8 is teeming with flexible stereo I/O, while three selectable output modes achieve a wide range of effects. The BOSS DD-8 Digital Delay includes external footswitch jacks for on-demand tap tempo, extended looper control, and a captivating Twist effect.

BOSS DD-8 Digital Delay Pedal:An Ultra-powerful, Compact Digital Delay

JHS PG-14 Paul Gilbert Signature Distortion Pedal

Few things are as enjoyable as rocking out through a dimed guitar amplifier, and thanks to its FET-based circuitry, the JHS PG-14 delivers that exact sensation. Designed to the exact specifications of guitar virtuoso Paul Gilbert (Racer X and Mr. Big), the PG-14 gives you a stadium-level experience — the touch, feel, and response of a pushed tube amplifier — at manageable volumes. The PG-14 gives you a bevy of sound-shaping controls, but this distortion stompbox’s crown jewel is its active mid-frequency preamp. With it, you’ll benefit from a vast range of sonic options. If you want to add a scorching, high-octane dirt channel to your rig, the JHS PG-14 is a great way to do it.

TC Electronic Flashback 2 Delay and Looper Pedal

The TC Electronic Flashback 2 delay is an amazingly versatile delay effect in a compact, pedalboard-friendly stompbox format. Featuring eight amazing delays plus a 40-second looper, the Flashback 2 is leaps and bounds ahead of standard delay pedals, which typically feature only a handful of delay effects. Some of the highlights of the Flashback 2 delay include three spots for saving tones pulled from TC's TonePrint Library, a new crystal delay, and TC's groundbreaking MASH footswitch control. If you thought the original Flashback was powerful, just wait until you experience the TC Electronic Flashback 2.

EarthQuaker Devices Afterneath V3 Reverb Pedal

The original Afterneath pedal broke new ground for delay and reverb effects, and with the EarthQuaker Devices Afterneath V3 effects pedal, you have more creative control over these ambient effects than ever before. The evocative reverb algorithm is the same, using swarms of short delays to create unique washes of sonic texture. Now in its third generation, Afterneath V3 adds a voltage/expression input for external control, plus nine different modes that govern how the Drag control interacts with the reverb effect. Plug in an expression pedal, explore the different Drag modes, and discover an entirely new world of ambient effects with the EarthQuaker Devices Afterneath V3 effects pedal.

Strymon BigSky Multidimensional Reverb Pedal

The Strymon BigSky Multidimensional Reverb multi-effects pedal offers a wide assortment of reverb effects currently on the market. Twelve different types of reverb are available with a twist of a knob, and you can deeply edit the effects and store them in the 300 onboard preset slots. And an incredibly powerful SHARC DSP powers the pedal for the best sound quality possible. The Strymon BigSky is powerful enough to be the last reverb pedal you'll ever need.

The BigSky Will Be Your New Go-to Reverb Pedal

JHS Bonsai 9-way Screamer-style Overdrive Pedal

What the Muffuletta did for big fuzzes, the JHS Bonsai does for screaming green overdrives. Slap the Bonsai on your pedalboard and enjoy unhindered access to four decades' worth of pedals. There are nine different sonic textures to choose from. Want some classic mid-bump grind? It's in there. SRV-style dirty boost? Yep. Mayer-esque low-gain grit? You got it — and a whole lot more. The Bonsai isn't a modeler — it boasts the exact same components as the source units. So when you select a mode with the Bonsai's rotary control, your guitar signal actually passes through a replica of the original pedal's circuitry. With the Bonsai, you truly get nine overdrive pedals packed into one housing.

Boss CH-1 Stereo Super Chorus Pedal

The BOSS CH-1 Super Chorus pedal offers up classic clean and shimmering chorus tones - it's arguably the best-selling chorus pedal on the planet, and a stellar pick for any guitarist or keyboardist. The CH-1's four onboard controls let you take charge of your chorus sound - there are effect level, EQ, rate, and depth controls. Crank up the rate for a dizzying psychedelic twist - or, pull back the rate, turn up the depth, and use the BOSS CH-1 in stereo for a lush, wide wave.

Boss HM-2W Waza Craft Heavy Metal Distortion Pedal

Sweden is a land of beauty, replete with lush green forests, awe-inspiring bodies of water…and unrelenting, in-your-face death metal! For '90s Swedish death metal royalty like Entombed, Dismember, and At the Gates, the core of their sound came from a grossly underappreciated pedal: the BOSS HM-2. BOSS has taken this sleeper stompbox and gave it the full Waza Craft treatment, resulting in the HM-2W Waza Craft Heavy Metal distortion pedal. Taking cues from its older sibling, the HM-2W boasts onboard controls for Level, Low/High Color Mix, and Distortion. Don't let its simple layout fool you — this searing pedal pumps out walls of axe-grinding, gut-punching chainsaw sounds while cleanly cutting through mixes. The HM-2W works equally as well in clean and dirty channels, with a handy toggle for switching between modes for even greater versatility. Need to add a bit of girth and roundness to your barre chords and chugs? Switch on over to Custom mode for an instant injection of additional gain and more pronounced lows and mids. Sweetwater's many discerning metallers were amazed by the HM-2W's icepick-like attack while tremolo picking, and when it came time to test those classic death metal riffs, diming all the controls delivered instant 

esque aggression. For death metal die-hards and anyone looking to conjure metal's Swedish origins, the BOSS HM-2W Waza Craft Heavy Metal distortion pedal is an instant classic.

Reviving (or Revving) the Seminal Swedish Chainsaw

MXR M117R Flanger Pedal

With the MXR M117R Flanger on your pedalboard, the legendary sounds of so many classic recordings are in the palm of your hand! Sweetwater guitarists who have picked up this pedal have remarked upon the simplicity of its four controls and the expansiveness of its colorful sonic palette. Seriously, twiddle these knobs and get ready to ride waves that span dynamic jet planes to otherworldly space effects! Thanks to its all analog bucket-brigade technology, this stompbox does the work of a flanger, chorus, and delay — all in a single pedal. Finally, power this pedal with two 9-volt batteries, an 18-volt adapter, or the DC Brick, Iso-Brick, or Mini Iso-Brick power supplies sold separately).